Basically at all international costume arts colleges, it will be clear that the instructor will be happy if they see the part of the fabric renovation design in Portfolio.

In fact, fabric modification is the most critical and visually relevant aspect of the Fashion Design / Textile Design Portfolio.

Foreign fashion design colleges require applicants to express their unique aesthetics and creativity in the portfolio.

Basically, foreign teachers will systematically explain the method of fabric transformation. Students will do various sample samples according to their own inspiration and compare them to see the effect of different materials, fabric texture at different temperatures, and the visual effects of different colors. Pick the best design.

The inspiration for the collection is visualized and recorded on your own Sketchbook by hand-painting, collage, and making fabric samples.

But this is only the beginning. Students must keep accumulating and insist on creating. They should always choose the most suitable fabric modification method for their theme.

Rather than just where most of our students go to see a fabric modification, take it and put it on its own design.

The first and most important thing in a piece of your own work is to have a theme that belongs to you. Only the design around the theme, all the students will form a whole.

And all the tough hard-won, unreasonable grafting will only make your own work become disproportionate and deformed.

1. Addition processing of fabric form:

Generally, a three-dimensional, multi-level design effect formed by a single or two or more materials on the basis of existing fabrics such as bonding, hot pressing, sewing, filling, hanging, embroidering and the like is formed.

Such as: a variety of beads, sequins, decals, plate embroidery, velvet embroidery, embroidery, nano-seam, metal rivets, stacking and other materials.

2. Reduction of fabric form:

According to the design concept, the existing fabrics are destroyed, such as: hollowing, burning, rotten flowers, spinning, shearing, sanding, etc., forming a patchwork, real and virtual effect.

The crocheting of the fabric form: a variety of fiber and crochet techniques, such as different texture lines, ropes, leather strips, belts, decorative lace, crocheted or braided, etc., combined into a variety of creative The work forms a convex, concave, interlaced, continuous, contrasting visual effect.

3. Comprehensive treatment of fabric form:

Making fabric often used when re-designing a variety of processing methods, such as: the case of cut-and-stack, such as embroidery, and while the use of hollow, flexible use of performance integrated approach designed to make the fabric look richer, create amazing, Texture and visual effects.

4. From flattening to three-dimensional:

Some flat materials are processed and reconstructed, and the textures of concave and convex are formed by folding, weaving, shrinking, wrinkling, stacking and folding, etc., giving a strong touch feeling; the different fiber materials are knitted, woven, Hooks, knots and other means form the spatial level of the rhythm, showing the infinite three-dimensional texture effect, so that the flat material forms the relief and three-dimensional.

5. From figuration to abstraction:

Various artistic expressions such as extraction, deformation abstraction, decoration, etc., and then use various methods such as repeated segmentation, gradual transformation, rotation, stacking, and coincidence, and the abstract graphics are combined in a regular or disordered arrangement and applied to the fabric material. On the top, the interpretation of the loose sense of space or regular rhythm or disorderly rhythm rhythm.

6, from simple to combination:

The combination of various fabrics is also a very important expression and form in the fabric re-engineering. The materials of different textures are overlapped and overlapped, and different visual effects can be produced. On the rich and gorgeous materials, a layer is covered. The soft and transparent tulle gives a feminine, stylish look.

7, from manual to modern:

The re-engineering of modern apparel fabrics is endless in the use of new technologies.

In the post-production technique of expression and fabric finishing process technology, from traditional crafts printing and dyeing, embroidery and dyeing extended to the use of large machines, computer loom, computer embroidery, computer printing, digital printing and other modern technology.

8, from orderly to disorder:

In the process of recreating the fabric, the designer has not only passively engaged in the operation, but has turned the process of production into creative activities, transforming the abnormal process of the fabric, absorbing and creating some new production methods, and presenting himself in disorder. A unique expression language.

9, from a single to multiple:

The selection of materials, from the original single cotton, hemp, silk, etc. to a variety of new materials, such as simulation of chemical fiber, modified fiber, functional fiber, UV fiber, a large number of synthetic fibers, organic chemical fiber, metal, glass and other man-made fibers being widely used.

10. From monorail to multitrack:

The transformation of garment fabrics is carried out from traditional crafts such as narrow knitting, weaving and weaving, to inlays, loops, coverings, overlapping, wrapping, color wrapping, pasting, quilting, folding, stacking, and drilling. Holes, embossing, trimming, splicing, hollowing, and other processing methods and processes form various effects.